Normally, I would say that most books should be made into TV shows, if not just plain old miniseries.
Read the novel Jurassic Park, and you see just how much of a pale imitation the film is. Heck, read both Michael Critchon novels, you can see just how much story was jammed into the books, only to be cut up and sprinkled over so many films. It’s why miniseries were so big in the 80s—take a James Clavell novel, and it takes ten hours to tell the tale. I’ll still take Richard Chamberlain as Jason Bourne over Matt Damon any day of the week, even if the man was too old for the part.
What prompted this discussion?
You may have heard that the Harry Potter book series is being turned into an HBO TV show. It’s going to be one of those articles. If you want to look over the trailer, go ahead. But I’m not going to post it here. It doesn’t need the views, and Upstream will not be responsible for giving it even one click if we can avoid it.
Let’s look into why this HBO series is going to be a bit of an issue.
Modern Film Making
You thought that headline was going to be about “Modern Audiences” didn’t you? Heh. Maybe later.
I saw parts of the trailer side by side with clips from the original movies. The new trailers were so dark, so dim, so poorly lit, so Zach Snyder filtered, when I saw the clips from the original films, I felt like I was flash-banged with color and light.
But this? Who turned off the lights? Were they running on emergency backup generators at the time? What the Hell? This is as bad as Hollywood thinking “medieval” meant “colorless.” I’ve seen rooms lit by candlelight with better visibility.
I’m almost afraid to ask who directed this. But then I realized it doesn’t matter, because I rarely see color in a movie anymore. Sure, John Wick liked neon. Nobody 2 was a comedy that was pretty well lit. But so many people are using filters in sepia, gray, and dark blue that I feel like I need NVGs just to see what’s going on in the movie. Don’t even ask me what happened in The Batman, I couldn’t see anything. I gave up on Dune because if I wanted to watch black and white films, I’ve got The Thin Man. Watch Lawrence of Arabia, and realize that “desert filming” doesn’t mean that you have to film in sepia.
Technocolor technology exists, people. It’s older than my parents.
Clearly, the Harry Potter HBO show is going to suffer from Game of Thrones-itis, which has infected all of fantasy these days.1 Ooh, everything is so dark! Literally gray and black! So grim and gritty!
First of all, as Peter David pointed out, “grim and gritty” was a tagline coined for Adam West’s Batman. It was supposed to be absurd, not a suggestion for cinematography.
Second, these are kids books being adapted to film. We don’t need a grim and gritty kids book. Hell, I started having problems with some of the original films when they decided to turn off all the lights for the better part of the film.2 Someone please bring back Christopher Columbus.
There’s another issue of modern Hollywood that I haven’t seen anyone discuss. They keep hiring nobodies to write the adaptation.
Let’s looked at these writers.
Francesca Gardiner has few credits. The most notable of which include Killing Eve (lesbian espionage, oh joy), His Dark Materials (anti-Narnia agit-prop), and Man in the High Castle (alt-history with even more Nazis).
Laura Neal … are you kidding me? Some of this is stuff is literal, actual pornography with a bit of plot sprinkled around it. I thought I was joking about the Game of Thrones effect.
Martha Hillier has written some Viking stuff … some mystery stuff. Nothing really offputting.
Not one of these writers has a substantial CV. Of the three writers, one of them barely has a dozen credits. What the Hell? Modern media really does mean “hire nobodies to write your scripts.”
The Casting
The HBO show will, of course, suffer severely from a lack of casting.
The original films had Shakespearean actors.
Maggie Smith played Desdemona opposite Olivier’s Othello. She was Miss Jean Brody
Michael Gambon was from the Royal Shakespeare Company
Kenneth Branagh (most of his entire career is Shakespeare)
Emma Thompson.
Alan Rickman was in multiple productions. (I have a DVD of him playing Tybalt. It’s odd to see him that young.)
Ralph Fiennes
Jim Broadbent
Helena Bonham Carter
Timothy Spall (Yes, the pet rat is a RSC veteran.)
Imelda Staunton (Umbridge).
Richard Harris had stage experience going back decades, probably with his drinking partners, Peter O’Toole and Richard Burton.
Zoe Wanamaker practically grew up in the rebuilt Globe Theater, and she was wasted on a throwaway cameo.
Robbie Coltrane played Falstaff.
Gary Oldman is a damned chameleon.
All of these people were veterans of the stage and screen. Some of them for decades. Most of these people had star power all their own that you could draw an audience just for them. Even Bill Nighy has star power, and he was practically wasted in the Potter franchise.
Those are just the people I can think of off the top of my head.
This Harry Potter … doesn’t have that.
Seriously, the biggest name here—if you’ll pardon the expression—is Warwick Davis, resuming his role as the music professor.
Now, there is, of course, Jonathan Lithgow as Dumbledore. His biggest role is … as a lizard person in The Adventures of Buckaroo Banzai Across the 8th Dimension.
Can Lithgow even do a British accent?
Also, since Dumbledore having a sexuality was practically a RetCon after the books were published, will he be playing Dumbledore as “super gay” now? Sadly, despite the phrasing, that is a serious question.
The above photo is a promotion still I got from IMDB, of Lithgow as Dumbledore.
Not to be picky, but why does his beard look like it’s AI? And why does the background look like it’s CGI? The set is sort of bending behind him, like it’s about to fold in half. Did they not have the budget to build sets? Are we playing Resident Evil on the original Playstation?
So, no, I don’t have much hopes for this cast. They’re going to be compared to the original cast, and they will come out unfavorably in that equation. It looks like the production has hired a bunch of character actors. Which is great. I like character actors. They can, you know, act. Just look at David Suchet, if you can find him before he disappears into the character.
But none of these actors have high caliber star power. None of them are draws in and of themselves. If you’re going to try to sell an audience on a product they already have at home, you need to draw them in with something that will assure them that this product is at least as good as what they already have. “It’ll be just like what you enjoy, only way more of it.”
This cast does not convince me that an HBO Max subscription is worth it.
I’m not sure the production values help much either.
Am I the only one who’s wondering why the beards area all wrong?
I’ll at least give them this, the Weasleys are all redheads. This crew hasn’t signed on to the Ginger Genocide. I guess that’s a plus.
What’s that? I hear you ask. I’m missing someone?
Snape
Meet your new Snape, Paapa Essiedu.
Now, ignore for the moment that he looks like a male model, and not the greasy, pale, hooked-nose character described in the novel. Let’s ignore that his hair looks like it was poorly glued on.
My first objection is: who dressed this man? Seriously, who thought any of this was a good idea. Leather jackets? Are we in a school, or a motorcycle club? I think they may have stolen the costume from a Silent Hill production.
You see what I mean about having little faith in the cast … or the production … or costumes … No, really, the more I examine all this, the more I want to know what the budget is and where it went.
Anyway, you might have noticed that this new Snape is also black. Why did they hire him and not Adam Driver, who kind of looks like Alan Rickman if the lighting is right?
I suspect it’s because Adam Driver is actually in demand.3
So is Mark Strong, who has a similar profile, and a great acting range.
So is Benedict Cumberbatch, and he looks funny enough to be Snape.4
Paapa Essiedu’s demand? Not so much. Going through IMDB at random, I’ve been checking the resumes of various actors. Paapa Essiedu may have the least amount of acting credits.5
Now, the good news is that Paapa Essiedu has Shakespearean credits.
The bad news: I have actually seen him act in these roles. I am not impressed.
Remember when the British media made Anne Boleyn black, in the most blatant DEI rewriting of British history? Paapa Essiedu played one of her relatives.
Of course, hiring a black actor to play Snape is going to be an issue later on in the series. Last time I checked my memory of the novels, during his time in Hogwarts, Harry Potter’s father James damn near tortured Snape. I seem to remember Snape being hung upside down from a tree. No, that wouldn’t play differently with a black Snape. Not at all.6
[EDIT TO ADD A NEW MEME DROP]
But I suspect that’s the point. Why hire a black actor? Cover. You might have already seen that Paapa Essiedu claims to have had death threats over being cast in the role. Really? Has he received as many threats as Rowling has had over the trans issue?
Isn’t it funny how those claims of death threats pop up immediately? It’s like magic!7 I guess that means if you object to his performance in any way, you’re a racist.
Which is, I suspect, the point. HBO has a groundwork laid for the usual “Ghostbusters 2016” defense. Which is, you may remember, is “Blame the audience.” Ghostbusters 2016, or Ocean’s 8 or Charlie’s Angels doesn’t work? It’s misogyny! If Blue Beetle doesn’t work, it’s racism!
If this doesn’t work? Clearly racism against Paapa Essiedu.
Normally, I’d write this all off as more DEI casting, forcing diversity wherever it can be shoehorned in. Though if that were the case, I’d be looking for more than just one race-swapped character. Here, it’s just one character.
I’m starting to wonder if Essiedu was hired solely on to give the production cover on the basis of “if you don’t like this show, you’re a racist.”
It’s a theory.8
Back when the Harry Potter films were being made, I remember an interview with JK Rowling discussing how she was on set as a consultant to make sure the books were accurately adapted to the screen. After all, the last thing a bunch of Producers wanted were the parents of angry ten-year-olds writing angry letters, because “You idiots ruined my child’s book series.”
This is funny because it’s now 25 years later, and you have to wonder how much of the rationale is being used to make the current edition for HBO. Only the fans being targets are not fans of the books who went on to read other books. No. Of course not. Literate people are always a joy. They have open minds.
No. I mean the terminally online. Those people who only read Harry Potter, and nothing else. Those people who only see modern politics in everything, and through the lens of Harry Potter. They’re the ones who insist the President is Voldemort, and any supporters are Death Eaters. They hang out on Blue Sky all day and seemingly have nothing else to do.
Ironically, they’re also infected with the same politics that made a lot of them turn on Rowling. You see, they were carried away by leftist ideology, and Rowling had a line in the sand they did not.
The funny thing is, Hollywood is making Harry Potter for these people—people who probably aren’t going to show up, because they hate Rowling more than anything else.
Do I think it’ll go anywhere? It doesn’t impress me. The production looks cheap. It’s dark. The cast is meh. And I don’t care if Rowling is attached to it, she’s already proven she’ll happily rewrite her own books if it aligns with her politics, which are still infected with some of the same lefty DEI nonsense.
Non illegitimi carborundum, y’all.
No. I don’t mean that Harry Potter will suddenly look like a snuff film, with even more porn.
EG: Some of Azkaban needed less atmosphere, and more lighting.
How does he have over 50 acting credits already?
Yeesh. He was in five films just last year.
Among the adults. Clearly, no one expects a ten year old to have a ten year long resume.
Just in case it’s not clear, this is sarcasm.
Again, in case my sarcasm isn’t thick enough, I think he, and the production company, is lying out their ass.
Side note: does blaming the audience actually accomplish anything? It doesn’t help the box office. Does it protect anyone’s job? I don’t get it.








Yeah...not planning to watch this show, or the new "Narnia" movie with an elderly female Aslan and "modern" music (from sixty years ago). You can't even hate these people - they are too stupid to fight back.
There’s something really cynical about using him as failure insurance. There’s something really telling about how confident they are in their production, that they *believe* it will fail. The simplest answer, to me, is they are protecting their careers: “We did this thing with your billion dollars, and it failed miserably: it’s because of all those rednecks who hated Black Snape.” It’s a license to not even try, which certainly looks like what’s going on.
It’s almost guaranteed to fail: a significant part of the potential Potter-viewers are indoctrinated to hate JK Rowling; a significant part of the potential Potter-viewers not so indoctrinated will see through the Netflixing and refuse to participate in the audience-baiting; a significant part of culture-war agnostics will be uninterested or turned-off by the production values or be Harry-Pottered out by now.
So who are they making this for? I’m willing to be wrong about all of it, and if it is good and successful, fantastic. But Hollywood has not covered itself with glory since 2016.